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	<title>Joakim Derlow</title>
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	<pubDate>Mon, 22 Jan 2024 15:44:13 +0000</pubDate>
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		<title>Base</title>
				
		<link>http://derlow.net/Base</link>

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		<pubDate>Mon, 22 Jan 2024 15:44:13 +0000</pubDate>

		<dc:creator>Joakim Derlow</dc:creator>
		
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Index

Joakim Derlow


&#60;img width="1980" height="1320" width_o="1980" height_o="1320" src_o="https://cortex.persona.co/t/original/i/7b59a82450eeb038294fa62cfc60c35f1c48c3001668881054ef78750f737edb/Gallery-9---J.Derlow.png" data-mid="1343011" border="0" /&#62;
	A hole to be filled&#38;nbsp;
2021
Performance and filmed essay












A hole to be filled is a film essay revolving around my stay in the green house at the Verbeke foundation, 2019. Local history, material findings, flora, fauna, earlier residents, their unfinished works and conflicts all play part in this Shakespearean vlog with a dissimulated yet dramatic narrative. The viewer follows me as an eccentric individual that has reunited with his dearest habitat but he is soon to find that he shares it with someone else. Camouflage and its countermeasure: seeing, become the tools from which the narrative unfolds. It is through my guiding voice and the vertical formated video that the audience feel as if they are the ones that uncover the secrets of the space. 
The work was first seen as a fragmented collection of videos on handheld devices through the app Instagram. A new edit was finalised in 2022 thanks to the generous support of the Mondriaan Fonds. The video work can be seen on my website, in the green house of the Verbeke foundation and occasionally as a screening in its original format screened on Instagram.
	&#60;img width="1500" height="1699" width_o="1500" height_o="1699" src_o="https://cortex.persona.co/t/original/i/645d91337a5f06706214ba2ee8645a907a2406843c04cc8c86852756e53cb680/Gallery-5---J.Derlow.png" data-mid="1343012" border="0" /&#62;
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		<excerpt>Index  Joakim Derlow    	A hole to be filled&#38;nbsp; 2021 Performance and filmed essay             A hole to be filled is a film essay revolving around my stay in...</excerpt>

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		<title>Upcoming</title>
				
		<link>http://derlow.net/Upcoming</link>

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		<pubDate>Mon, 22 Jan 2024 10:06:15 +0000</pubDate>

		<dc:creator>Joakim Derlow</dc:creator>
		
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About

Index

Joakim Derlow




	Warmoes Biënnale
7th of March - 3rd of May, 2026Amsterdam (NL)De Vishal
 27th of March - 3rd of May, 2026
Haarlem (NL)

Camouflage net installation at NMM
Nationaal Militair Museum, Soest (NL)

Book on Camouflage&#38;nbsp;












2022/2023 allowed me to continue my artistic research into camouflage thanks to the Bernadottestipend at Konstakademien. The residency ended with a grand installation of tangible experiments which guided the audience through my research. However, this was just a small part of the material and ideas attained during my stay. As such, I am now making a book that tries to encompass the majority of my material and present it to an audience. This book has the aim to demilitarise camouflage and to give an insight into the work conditions, ideas and creations of artists at the frontline. I.e The project goes so far as to present camouflage material as unseen art works of the great wars. And makes an attempt at conveying camouflage as a methodology for making - both historically and for future makers. 


Funders and supporters for the project are much welcome. Applications have been sent to various institutions to get the project going. Once again thanks to those who bought the publication at Konstakademien and started the production of the book. You’ll be given a book once it is done.




Graphic novel on Climate change and Tourism
This will be my first graphic novel. More details to be announced during the year. Generously supported by the Mondriaan Funds.
	&#60;img width="1100" height="1400" width_o="1100" height_o="1400" src_o="https://cortex.persona.co/t/original/i/7d497271cb500294e08bc1aebb88ad55446e15b028736c6160971f03c64f5aec/Ghillie-J.Derlow.png" data-mid="1342922" border="0" data-scale="80"/&#62;
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		<excerpt>About  Index  Joakim Derlow     	Warmoes Biënnale 7th of March - 3rd of May, 2026Amsterdam (NL)De Vishal  27th of March - 3rd of May, 2026 Haarlem (NL) ...</excerpt>

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		<title>CODE TEST PAGE</title>
				
		<link>http://derlow.net/CODE-TEST-PAGE</link>

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		<pubDate>Fri, 19 Jan 2024 18:13:04 +0000</pubDate>

		<dc:creator>Joakim Derlow</dc:creator>
		
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About

Joakim Derlow

Joakim Derlow

Contact</description>
		
		<excerpt>About  Joakim Derlow  Joakim Derlow  Contact</excerpt>

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		<title>NEW ABOUT</title>
				
		<link>http://derlow.net/NEW-ABOUT</link>

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		<pubDate>Thu, 18 Jan 2024 17:38:57 +0000</pubDate>

		<dc:creator>Joakim Derlow</dc:creator>
		
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		<description>&#60;img width="10" height="1000" width_o="10" height_o="1000" src_o="https://cortex.persona.co/t/original/i/f36d1f4293b1698f89402c58ade72e7705e78194a5fa67541e5970600e92e829/Bar-J.Derlow.png" data-mid="1342587" border="0" data-scale="80"/&#62;


	&#60;img width="875" height="1280" width_o="875" height_o="1280" src_o="https://cortex.persona.co/t/original/i/a40c622c01c9e534751c350e867fa98957fb9001dfa5f567e3475f0a8beb986f/Profile---J.Derlow.png" data-mid="1342551" border="0" /&#62;

Artist and freelance illustrator with an eye for the sequential, the fragmented and the suggestive. Open for collaborations and commissions.
→ Email→ Instagram→ +31623338219
&#60;img width="4096" height="4096" width_o="4096" height_o="4096" src_o="https://cortex.persona.co/t/original/i/fa35ae9ef23250be2370ca060602e2a4cb7fb2ef8ed223a715dd6bdefdd5d66d/Companion---J.Derlow.png" data-mid="1343066" border="0" data-scale="90"/&#62;

	ABOUTMy work revolves around narratives conveyed in fragments through a multitude of mediums such as: drawings, sculpture, paintings, publications, videos, found objects and my performative presence. These pieces work on their own but are meant to be seen together in a site specific setting where they posses the suggestive qualities of what happened, is happening or about to happen - thus forming the notion of a story.One therefore wanders through my exhibitions step by step - work by work - collecting ideas and clues of the story and its subject matter. The spectator’s associative qualities are hard at work and fill in the missing pieces. This spatial awareness of an audience is the element that strings the works together, reads out trails and pervades the space together with the narrative at hand.The narratives that I convey are a mix between the site specific material, anecdotes or historical aspects of the exhibition space contra a fictional narrative influenced by my extensive research in perception and camouflage. That is why my work often takes unexpected angles in which I play with the hierarchies of seeing and alter the experience of the art venue - you see, my works are often camouflaged characters with an interest to remain unseen. A paradoxal format for an exhibition, yet instilled with such generosity and humour that it entices an audience to linger or return. This is also where I step in as a work myself - a performative guided tour or a misleading poem is staged by me in the exhibition to serve as a mediator between the audience and the work.One therefore wanders through my exhibitions like the urban battlefield - one step at the time. Fascination and dismay conjoined. Eyes awakened through my lessons in seeing.

	SHOP &#38;amp; SUPPORTSimply contact me if you have an interest in purchasing my work so we can plan a studio meeting. However, I can also send you work suggestions and pricing over email.
If you have found significant inspiration from my work, dowloaded my imagery or would like to support my practice - please leave a donation behind with the button below. Don’t forget to mention your adress and I will send you a poster in return. Thank you in advance - it truly allows me to continue my work!







&#60;img alt="" border="0" src="https://www.paypal.com/en_SE/i/scr/pixel.gif" width="1" height="1" style="width: 1px; height: 1px;"&#62;





COMMISSIONS
Open for collaborations and commissions. Simply reach out to me through any of the contact options above.
Earlier collaborations include:Amsterdams fonds voor de Kunst, Amarte Fonds, Athenaeum Boekhandel, ArtEZ BEAR, Bærum Kunsthall, Bolle, Bonniers Konsthall, C'est Bon magazine, De Gids, Edward Clydesdale Thomson, Fonds Kwadraat, Galago, Gerrit Rietveld Academie, Gemeente Amsterdam, Gemeente Leiden, Hemslöjden, Hordaland Kunstsenter, Hortus Zuidas, iii, Kling&#38;amp;Bang, Kode 4, Konstakademien, Konstnärsnämnden, Kungahuset, Kunstfort bij Vijfhuizen, NeverNeverLand, Nordiska kulturfonden, Mondriaan Fonds, Saiga Foundation, Sandberg Instituut, Stichting Landfall, Verbeke Foundation and W139.

&#60;img width="750" height="1134" width_o="750" height_o="1134" src_o="https://cortex.persona.co/t/original/i/6033d52a16540d768eb7d44f7f77981f4d011a7596b8b3772193195ab78bce10/Mondriaan.png" data-mid="1342601" border="0" data-scale="40"/&#62;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#60;img width="750" height="1134" width_o="750" height_o="1134" src_o="https://cortex.persona.co/t/original/i/a73b7d557ad79c17b3a7b0e02380ef0e5fcc3ac3ac6433fbe6467e7a65c05f83/AFK.png" data-mid="1342600" border="0" data-scale="40"/&#62;&#60;img width="550" height="173" width_o="550" height_o="173" src_o="https://cortex.persona.co/t/original/i/2920a09c9d819dc43287d321f6d00a52a11d30928bd3357b542b1c28f64facc6/Gem.png" data-mid="1342606" border="0" data-scale="40"/&#62;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;&#60;img width="550" height="148" width_o="550" height_o="148" src_o="https://cortex.persona.co/t/original/i/f9a389edf47e1ecdcfcc89c58901f16e01457a9a78a8da771e66c93dab921b60/Steinert.png" data-mid="1342602" border="0" data-scale="40"/&#62;

INDEX© 2024</description>
		
		<excerpt>Artist and freelance illustrator with an eye for the sequential, the fragmented and the suggestive. Open for collaborations and commissions. → Email→...</excerpt>

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		<title>NEW FLOW</title>
				
		<link>http://derlow.net/NEW-FLOW</link>

		<comments></comments>

		<pubDate>Thu, 18 Jan 2024 15:13:18 +0000</pubDate>

		<dc:creator>Joakim Derlow</dc:creator>
		
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&#60;img width="10" height="1000" width_o="10" height_o="1000" src_o="https://cortex.persona.co/t/original/i/0c0f9ab10779d6019bceeac2284980ef6216bb21620fb388e19d12ae8477fef1/Bar-J.Derlow.png" data-mid="1342583" border="0" data-scale="80"/&#62;

Upcoming

About

Joakim Derlow

Download Portfolio




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COPYRIGHT 2026 © Joakim Derlow</description>
		
		<excerpt>Upcoming  About  Joakim Derlow  Download Portfolio     &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;     COPYRIGHT 2026 © Joakim Derlow</excerpt>

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		<title>LAYOUT TEST PAGE </title>
				
		<link>http://derlow.net/LAYOUT-TEST-PAGE</link>

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		<pubDate>Sat, 13 Jan 2024 20:09:59 +0000</pubDate>

		<dc:creator>Joakim Derlow</dc:creator>
		
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	Nightjars are found all around the world, with the exception of Antarctica and certain island groups such as the Seychelles. They can be found in a variety of habitats, most commonly the open country with some vegetation. They usually nest on the ground, with a habit of resting and roosting on roads.
The subfamilies of nightjars have similar characteristics, including small feet, of little use for walking, and long, pointed wings. Typical nightjars, though, have rictal bristles, longer bills, and softer plumage. The colour of their plumage and their unusual perching habits help conceal them during the day.Nightjars are found all around the world, with the exception of Antarctica and certain island groups such as the Seychelles. They can be found in a variety of habitats, most commonly the open country with some vegetation. They usually nest on the ground, with a habit of resting and roosting on roads.
The subfamilies of nightjars have similar characteristics, including small feet, of little use for walking, and long, pointed wings. Typical nightjars, though, have rictal bristles, longer bills, and softer plumage. The colour of their plumage and their unusual perching habits help conceal them during the day.Nightjars are found all around the world, with the exception of Antarctica and certain island groups such as the Seychelles. They can be found in a variety of habitats, most commonly the open country with some vegetation. They usually nest on the ground, with a habit of resting and roosting on roads.
The subfamilies of nightjars have similar characteristics, including small feet, of little use for walking, and long, pointed wings. Typical nightjars, though, have rictal bristles, longer bills, and softer plumage. The colour of their plumage and their unusual perching habits help conceal them during the day.Nightjars are found all around the world, with the exception of Antarctica and certain island groups such as the Seychelles. They can be found in a variety of habitats, most commonly the open country with some vegetation. They usually nest on the ground, with a habit of resting and roosting on roads.
The subfamilies of nightjars have similar characteristics, including small feet, of little use for walking, and long, pointed wings. Typical nightjars, though, have rictal bristles, longer bills, and softer plumage. The colour of their plumage and their unusual perching habits help conceal them during the day.

	&#60;img width="932" height="580" width_o="932" height_o="580" src_o="https://cortex.persona.co/t/original/i/57a4f1fe52382b0363db8aea7bd29ce3c4dbf15ab35c17207b5225aa227506b6/ukraine-Trenches-of-Ukraines-Long-War-04-Anatolii-Stepanov_0.jpg" data-mid="1341367" border="0" /&#62;&#60;img width="1872" height="1248" width_o="1872" height_o="1248" src_o="https://cortex.persona.co/t/original/i/dc229baf7a58482b8651aece7b92bcf98da4dca6f708b8ac451b23d3c5829db5/3JAPCNJOJFECXJSHMU46UMI5UM.jpeg" data-mid="1341369" border="0" /&#62;

&#60;img width="932" height="580" width_o="932" height_o="580" src_o="https://cortex.persona.co/t/original/i/57a4f1fe52382b0363db8aea7bd29ce3c4dbf15ab35c17207b5225aa227506b6/ukraine-Trenches-of-Ukraines-Long-War-04-Anatolii-Stepanov_0.jpg" data-mid="1341367" border="0" /&#62;
	Nightjars are found all around the world, with the exception of Antarctica and certain island groups such as the Seychelles. They can be found in a variety of habitats, most commonly the open country with some vegetation. They usually nest on the ground, with a habit of resting and roosting on roads.
The subfamilies of nightjars have similar characteristics, including small feet, of little use for walking, and long, pointed wings. Typical nightjars, though, have rictal bristles, longer bills, and softer plumage. The colour of their plumage and their unusual perching habits help conceal them during the day.
	&#60;img width="1872" height="1248" width_o="1872" height_o="1248" src_o="https://cortex.persona.co/t/original/i/dc229baf7a58482b8651aece7b92bcf98da4dca6f708b8ac451b23d3c5829db5/3JAPCNJOJFECXJSHMU46UMI5UM.jpeg" data-mid="1341369" border="0" /&#62;


&#60;img width="1872" height="1248" width_o="1872" height_o="1248" src_o="https://cortex.persona.co/t/original/i/dc229baf7a58482b8651aece7b92bcf98da4dca6f708b8ac451b23d3c5829db5/3JAPCNJOJFECXJSHMU46UMI5UM.jpeg" data-mid="1341369" border="0" /&#62;Nightjars are found all around the world, with the exception of Antarctica and certain island groups such as the Seychelles. They can be found in a variety of habitats, most commonly the open country with some vegetation. They usually nest on the ground, with a habit of resting and roosting on roads.
The subfamilies of nightjars have similar characteristics, including small feet, of little use for walking, and long, pointed wings. Typical nightjars, though, have rictal bristles, longer bills, and softer plumage. The colour of their plumage and their unusual perching habits help conceal them during the day.

</description>
		
		<excerpt>Nightjars are found all around the world, with the exception of Antarctica and certain island groups such as the Seychelles. They can be found in a variety of...</excerpt>

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	<item>
		<title>Untitled page</title>
				
		<link>http://derlow.net/Untitled-page</link>

		<comments></comments>

		<pubDate>Thu, 18 Nov 2021 22:19:06 +0000</pubDate>

		<dc:creator>Joakim Derlow</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">415202</guid>

		<description>How well does the design meet the purpose(s) for which it was designed?a) The website is aesthetically pleasing and communicative but not very functional.b) The website is aesthetically pleasing and functional but not very communicative.c) The website is communicative and functional but not very aesthetically pleasing.d) The website is aesthetically pleasing, communicative, and functional.My Answer: AThe reason why is because the website seems to look great because it has been "creatively designed". It lists the artwork prices, but it lacks the buy function. It's not functioning properly.functionality: the ability to serve an intended purpose</description>
		
		<excerpt>How well does the design meet the purpose(s) for which it was designed?a) The website is aesthetically pleasing and communicative but not very functional.b) The...</excerpt>

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	</item>
		
		
	<item>
		<title>- Gorooners</title>
				
		<link>http://derlow.net/Gorooners</link>

		<comments></comments>

		<pubDate>Tue, 27 Oct 2020 20:25:12 +0000</pubDate>

		<dc:creator>Joakim Derlow</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">388506</guid>

		<description>&#60;img width="2431" height="2169" width_o="2431" height_o="2169" src_o="https://cortex.persona.co/t/original/i/c4fa4787ad19e537939f063085c11ebfed4c3f1c300497a30dcadbcaa1526e95/Goroon.png" data-mid="1001606" border="0" data-scale="60"/&#62;


Morning mash, muscle mess. A base, a platform and the stress. 

The seasonal change of your waist. From:


S


to

M


onto 

L and Excel.

The drill, now peckish and tracking the smell. 

Below lay the soup - that precious puree. &#38;nbsp;

So, 20 set out. Gloved routine, greasing the grunt - releasing the eel.When,something got stuck in my eye. 
On the shore, a spirit, in dancing distress.Signalling mercy - calling for less. There was then that sound.&#38;nbsp;
The cracking of pillars&#38;nbsp;
your spine

&#60;img width="633" height="387" width_o="633" height_o="387" src_o="https://cortex.persona.co/t/original/i/cb1fbc7ef7ac00d17cf9295303035c4b78efdc5bb48ca3eef7393250174a43af/Kitos.gif" data-mid="1001192" border="0" /&#62;
</description>
		
		<excerpt>Morning mash, muscle mess. A base, a platform and the stress.   The seasonal change of your waist. From:   S   to  M   onto   L and Excel.  The drill, now...</excerpt>

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	</item>
		
		
	<item>
		<title>- Mrs. Verbeke</title>
				
		<link>http://derlow.net/Mrs-Verbeke</link>

		<comments></comments>

		<pubDate>Tue, 04 Feb 2020 10:03:19 +0000</pubDate>

		<dc:creator>Joakim Derlow</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">355342</guid>

		<description>&#60;img width="4207" height="4103" width_o="4207" height_o="4103" src_o="https://cortex.persona.co/t/original/i/3f485a61134f47cd1d4e5d35b0159dd161e746d0d9ec50a383af5e42b464cabb/Druvpojken---J.Derlow.png" data-mid="859326" border="0" data-scale="120"/&#62;



	Performance

	2019

	



Mrs. Verbeke, why do you lay down horizontally?-

To be with what’s around&#38;nbsp;that was always my plan

- man from Naples, 1427 ADMy horizontal practices were tested out in Verbeke foundation’s wild habitat.&#38;nbsp;A new suit was consctructed from materials procured on site and stuffed with local vegetation. Old tactics and movements were used to dissolve the borders between myself and the things around - thus accepting the invitation by space.
Nylon netting, jute string, paracord, shockcord and various local plants back

	
</description>
		
		<excerpt>Performance  	2019  	    Mrs. Verbeke, why do you lay down horizontally?-  To be with what’s around&#38;nbsp;that was always my plan  - man from Naples, 1427...</excerpt>

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	</item>
		
		
	<item>
		<title>- Cleaning the kings</title>
				
		<link>http://derlow.net/Cleaning-the-kings</link>

		<comments></comments>

		<pubDate>Sun, 13 Oct 2019 15:12:23 +0000</pubDate>

		<dc:creator>Joakim Derlow</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">343635</guid>

		<description>&#60;img width="3543" height="4849" width_o="3543" height_o="4849" src_o="https://cortex.persona.co/t/original/i/e6a8a3ad4754a61d70fdc97cdf1e21ddfdc181191fb0593c872d6129cd1f65c5/Cleaner---J.Derlow.png" data-mid="859459" border="0" data-scale="110"/&#62;



	Video / Filmed performance

	2019

	

&#60;img width="1100" height="1400" width_o="1100" height_o="1400" src_o="https://cortex.persona.co/t/original/i/4c1cf024fcce06b658ce9ef8f62d05672d84eda6252c1e0fb84b8b38f5f9f97b/CTK-J.Derlow-7.jpg" data-mid="859021" border="0" /&#62;&#60;img width="1100" height="1400" width_o="1100" height_o="1400" src_o="https://cortex.persona.co/t/original/i/4877445726be22b0fccc85baa89a9296358b5969fba9a5dc0784f1bc911e0dce/CTK-J.Derlow.jpg" data-mid="859022" border="0" /&#62;&#60;img width="1100" height="1400" width_o="1100" height_o="1400" src_o="https://cortex.persona.co/t/original/i/ea98faff4d21712104898b1b7838305a8fb38de6f33a2b93b15b804238ed276a/CTK-J.Derlow-2.jpg" data-mid="859014" border="0" /&#62;&#60;img width="1100" height="1400" width_o="1100" height_o="1400" src_o="https://cortex.persona.co/t/original/i/a88436d81251cf827c521adf6d02c5128e66feb69f268cafec0577fc09098c7e/CTK-J.Derlow-4.jpg" data-mid="859020" border="0" /&#62;&#60;img width="1100" height="1400" width_o="1100" height_o="1400" src_o="https://cortex.persona.co/t/original/i/2acb2db5cb49f695403548bb4a7ebf5b6b352938846fe8ef3d54da6d44684de6/CTK-J.Derlow-5.jpg" data-mid="859016" border="0" /&#62;&#60;img width="1100" height="1400" width_o="1100" height_o="1400" src_o="https://cortex.persona.co/t/original/i/7fed9fd857390b3c0efdf872bfdd42a958a5585ade95d404b43d46b01ac3b39f/CTK-J.Derlow-8.jpg" data-mid="859018" border="0" /&#62;&#60;img width="1100" height="1400" width_o="1100" height_o="1400" src_o="https://cortex.persona.co/t/original/i/b70c783c8431ca1bdbce1e52369719773c14adec662c1c789b86078e0706616e/CTK-J.Derlow-6.jpg" data-mid="859019" border="0" /&#62;&#60;img width="1100" height="1400" width_o="1100" height_o="1400" src_o="https://cortex.persona.co/t/original/i/4ee90a77b7d200950f2fac54b585f784e7dde62bf12ed3adda71bf71a4404b3e/CTK-J.Derlow-3.jpg" data-mid="859015" border="0" /&#62;
Cleaning the Kings-
What matters is nowthe water - the hosethe gestalt in vertical stanceall covered in sauce 





Cleaning the Kings is a three-channel video installation that further investigates the story-line of A hole to be filled and Three Kings. The wish of the work is to further add to the layered and highly dissimulated narrative of my residency at Verbeke foundation, 2019. This is but one fragment of many. 




 back

	
</description>
		
		<excerpt>Video / Filmed performance  	2019  	   Cleaning the Kings- What matters is nowthe water - the hosethe gestalt in vertical stanceall covered in sauce      ...</excerpt>

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